Opening Doorz
“Celebrating Life”
By Moody Marty | Opening Doorz Editorial | February 11, 2026 Moody Marty dissects the industry’s selective memory and asks the hard question: Is this true solidarity, or just clever […]
By Martin D’Souza | Opening Doorz Editorial | November 24, 2023 Rating: 4/5 The Essence: Alizeh Agnihotri, of course, is what Farrey is all about, and like the bright Niyati in the film, she sails […]
Dear Shah Rukh Khan, Today, I was fuming when I saw your promotional feature in the Bombay Times. Do you really drink Thums up?
To an outsider, it looked like a family holiday. But to the one looking from Hrithik’s wounded and troubled heart and his lonesome eyes, one could see the pain, the effort and the joy of getting his family back together.
Koena Mitra talks like a Big Boss: “You are fine with 50-year-old male actors with no wrinkles and heads full of hair.” inquires the actor.
Tanushree Dutta roasts Bollywood. “Neither is my name Nana Patekar, nor Tanushree. How can I answer your question,” said Amitabh Bachchan.
“I don’t think even Salman Khan knew he could draw,” reveals Salim about his son’s painting abilities. Father reveals all about his son.
Since the plot is weak and you cannot hold the audience’s attention with mid-air pyrotechnics all the time, Director Remo D’Souza shuffles to his specialty (dance choreography) and throws in elaborate songs a la Himmesh Reshammiya’s music videos. When that too doesn’t work, he moves to Cambodia to sneak off a hard disk from a Bank’s locker.
Anupam Kher can learn from Aamir on how to produce a movie. One look at Ranchi Diaries and one would know that this is best left in the cans.