Crackdown Web Series Review: Crackdown is a big letdown. The writing is all over the place leaving no room for the characters to shine. By Martin D’Souza.
The Gone Game Web Series Review: The plot is true to its genre and is complemented with good performances from most of the actors. By Martin D’Souza.
Gunjan Saxena The Kargil Girl Movie Review. The film exploits your sentiments towards the end and has nothing to offer. It crash-lands
Kai Po Che Movie Review: The movie is poetry in motion. After Rock On, Abhishek Kapoor has reminded us yet again, what a master story-teller he is.
Dil Bechara Movie Review: The film is a bad adaptation with lazy screenplay. Mukesh Chhabra plays true to expectation as no maturity was expected of him.
Amit Sadh lets you Breathe… into the shadows of this lifeless plot as it meanders into 12 episodes. Abhishek Bachchan fails to light up a dry storyline.
Paatal Lok Series Review: Each and every actor stands out for the character he or she portrays and makes an impact within the episode. By Martin D’Souza.
Illegal Web Series Review: In the final episode, a sinister plot is being unravelled. Your heart skips a beat. You are now completely hooked.
Nisha (Maria Mozdah) is like this little kitten loved by her family who is suddenly kicked around and is wondering for what? She draws you into her plight. How you want to tear into the screen and protect her from what is happening to her. She emotes with her saucer like eyes and fluid body language. Your heart beats for Nisha! A gripping performance by Maria Mozdah!
Thappad Movie Review on Opening Doorz. Thappad is a lesson for men and women, especially for the woman of how not to be a doormat wife! By Martin D’Souza.
Step out if you want an action flick with no-frills attached. Don’t miss the ending, not a solid impact, but a twist nonetheless. By Martin D’Souza.
Tanhaji Movie Review on Opening Doorz: The sets are lavish, the screenplay laudable and the background score is good. The Script lacks depth.
Chhapaak Hindi Movie Review: It is not entirely gripping, yet is socially relevant. Full marks for Deepika for stepping out of her comfort zone.
Milap Zaveri, who also credits himself with the writing, has himself to blame for this shoddy piece of craft that would have best been appreciated in the 90s!
Technically, the film is sound with the action scenes being first-rate. However, Siddharth Anand loses his grip on War by being generous with 36 extra minutes. Pankaj Kapur did the same mistake with Mausam with a run-time of 168 minutes!
he first half of the movie is a pure promotional documentary for Manali to boost tourism. The second half gets into a semblance of a story-telling module.