Opening Doorz

By Martin D’Souza | Opening Doorz Editorial | November 19, 2024

Much like Julio Iglesias’ ‘Caruso’ (Spanish)—a hauntingly beautiful melody that aches its way into your heart—Mark Revlon’s ‘Noshaa’ (Konkani) resounds with an intensity that’s impossible to ignore. The Goan artist, who has been making waves for years, brings a voice that is equal parts pain, melody, and raw emotion. Stripped of its music, Revlon’s voice, much like Iglesias’, can still rock you, gently, into a trance of musical ecstasy.

The 1994 classic ‘Caruso’ lingers with understated power, and ‘Noshaa’ carries the same evocative weight. Revlon’s rendition features haunting lyrics by Pio Agnelo and a subtle yet gripping blend of instruments—a delicate piano, powerful drums, and a faint echo of a Guns N’ Roses-style guitar riff. The result is a soundscape that is both restrained and commanding, drawing listeners into an emotional journey.

Is Mark Revlon Goa’s Julio Iglesias?

Is Mark Revlon Goa’s answer to Julio Iglesias? Perhaps it’s too soon to say, but the signs are there. His artistry is flamboyant yet grounded in a quiet confidence that forges an instant connection with his audience. Few performers can evoke such a transition between their craft and listeners.

Having followed Mark Revlon’s singing for a few years, I find myself consistently captivated. His version of Swedish House Mafia’s ‘Don’t You Worry Child’ is another rendition I could play on repeat. ‘Dis Udello’ and ‘Sorvboutim Uzvaad’ are other Iglesias-like delivered Konkani melodies by him. Mark Revlon’s gift lies not just in his voice but in his ability to make you feel every note, every word, and every beat of his songs.

An Inspiring Journey from Drummer to Global Artist

Mark Revlon’s journey as a musician is inspiring. With no formal training, he has risen to become a celebrated artist, captivating audiences both in India and abroad. His natural inclination toward music and dedication to honing his craft through practice highlight his raw talent and passion.

The roots of his musical journey trace back to his teenage years, singing in front of the Cross during village Rosaries. These humble beginnings not only shaped his vocal style but also played a role in giving fillip to Konkani music globally, as he embraced and shared the rich musical heritage of his homeland with wider audiences. “It’s all God’s grace,” says the self-taught drummer and singer. “As a youngster, I sang the litany during village Rosaries. That has been a huge influence on my singing,” shares Revlon, who hails from Loutolim, Goa.

Opening Doorz to the man whose voice and artistry are lighting up stages across the globe.

It is all God’s Grace!

Excerpts:

What inspired you to pursue music as a career?

Growing up in a Goan family, music was always a part of our lives. My father, Antonio Caetano Jao Fernandez, was involved in theatre, and music was always in our home. It’s a natural part of Goan culture—no Goan home is complete without music.

Initially, you started out as a drummer, what made you transition to being the frontman?

People tend to focus more on the singer and it was difficult for the people to see who was singing. So to get recognition and better opportunities, I decided to step into the spotlight. I started doing solo performances and gradually shifted my focus from drumming and singing to only singing.

Who were your musical influences when you were starting?

Growing up in Goa, I was exposed to a diverse range of musical styles. Rock and pop music were popular in the 80s and were significant influences. The pop music of the 90s has also influenced me. Additionally, Bollywood music of the past, with its rich melodies and powerful vocals, also shaped my musical tastes.

Speaking of Bollywood music, have you received any offers to sing Hindi songs?

While I’ve had a few inquiries, there haven’t been any concrete offers. The music industry has changed; now, artists are expected to write their songs and pitch them. I’ve never been interested in playback singing. I prefer being the frontman, where I can connect directly with the audience.

Any memorable performance in India or abroad that stands out for you?

It’s difficult to pinpoint a single performance, as every gig has been special. Each performance has contributed to my journey, and I wouldn’t be here without them all.

Have you had any unusual or memorable experiences during a performance?

I once performed at a feast day celebration in Goa while under the influence. It was a strange experience, but I managed the performance without major mishaps. The crowd seemed to enjoy it, and that’s what matters most. After that incident, I have never been under the influence! [Laughs].

What advice would you give to young, aspiring Goan musicians who want to keep Konkani music alive?

Today’s young musicians have access to more resources and technology. I would advise them to focus on developing their unique style, practice consistently, and network with other musicians. With the accessibility of technology and global platforms, they can reach a wider audience. I encourage them to embrace their roots and create music that is both authentic and innovative. By blending traditional Konkani melodies with contemporary styles, they can attract a new generation of listeners.

You’ve mentioned the importance of God’s Grace, consistently, throughout this interview. Looking back at your career, are you surprised by your success and the fan following you’ve gained?

I believe that God’s Grace has played a significant role in my journey. It’s truly humbling to see how my music has connected with people and how my fan base has grown. People have accepted my style of singing and my personality. Looking back over the past four years, I’m amazed at how far I’ve come. I never expected this level of success. God has been very kind to me.

Has Goan music influenced your style as an artist, or is it Western music?

While I was exposed to Western music growing up, Goan music, especially the work of artists like Chris Perry, Frank Fernand, Alfred Rose and Lorna, among many other talented Goan artists, has had a significant impact on my style. Their innovative arrangements, intricate instrumentation, and powerful vocals have always inspired me. Their style of arranging and composing music, the subtleness in their playing, the wind instruments, the vocals… it’s phenomenal.

Do you see Goan music making its mark on the global stage?

Today, the world has become local and the local has become global! Anything is possible. A good Konkani song can potentially reach a global audience.

Image Credit: Mark Revlon

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